Apolliner biography is brief

The future poet was an illegitimate son of a Russian citizen, Polka Angelica Kostrovitskaya, who, together with his father, Mikhail Kostrovitsky, persecuted for participating in the uprising of G. Apolliner in Rome, grew up in Monaco among people who spoke in French and Italian. The poet was proud of his genes, wrote that in him "the blood of the Slav and Latinan was mixed in him." Love for Poland and Russia was brought up in Apollenre from childhood.

The meetings with Polish emigrants in the poem "Zone" are unforgettably described. The Slavic theme is represented by poems written in Prague. Guillaume Apollinera was 10 years old when Arthur Rimbao died. He had already lived almost half of his life from 38 he had given him when he arrived in Paris. The foreigner stunned France with his anarchism and verses, which seemed to be breaking all traditional performances.

Not being a Frenchman, Guillaume Apolliner became a great French poet, continued the “New Century” of French poetry. The fate of Apolliner, who knew the noisy life of the French bohemia Apollyner's friend - Pablo Picasso and at the same time tasted the bitterness of the loneliness of the emigrant and the distrust of the authorities who falsely accusing him of the participation of the Louvre of the Jacoconda, as a result of which the poet was behind bars, is tragic and beautiful.

He gave his life for French citizenship. A fragmentation wound to the head caused an incurable illness and death, overtaken by the poet during the influenza epidemic. The poet’s work is his fate, but at the same time the fate of the generation, which was in the discord from the century. The creative fate of Apolliner Guillaume Apolliner is a poet, whose work marked the beginning of a new stage in the exposure of French poetry.

In the city of Apolliner, he wrote the play “The chest of tyrezia”, which he called the “surreal” drama. In the preface to the play, the author explained the meaning of the term he introduced: it is necessary to return to nature, but not imitate it. The neologism of the Apolliner, adopted by the French avant -garde, proclaimed “surrealism”, which in Russian means “Contemporary”.

Apolliner's poetry precedes the course of surrealism in French literature. Its aesthetic principles are summarized in the article “New Consciousness and Poets”, which became the manifesto of poets of the early twentieth century. Here, Apolliner calls the main sign of a new consciousness "research and search for truth." He sees the manifestation of a new consciousness in turning to a “new poetic technique”, to the techniques of cinema, to the synthesis of words, music and cinema.

The first publications of verses appear in print from a year. In March, it was a time when Apolliner was first able to abandon the work of the Literary Negro, having received the place of a home teacher, and together with the family of his pupils to visit Germany, Austria and the Czech Republic. This period includes “Rhine Poems”, “the song of the unfortunate in love”, along with others, compiled the collection “Alcohols”, published in the year.

The core motive of the collection is the following words: you drink, and you are intoxicated by alcohol that it is similar to per. Kudinova’s state of delight, intoxication of life is represented in the poem “Vandemier”: ... worlds that we are all like, I drank you, and could not satisfy your thirst. But since then I learned the taste and smell of the universe. I am drunk because I drank the universe on the embankment, where I wandered and looked at the running waves and sleeping barges.

Listen to my voice, listen!

I am a sip of Paris. Tomorrow I will again drink the universe. Listen to my song intoxication! Kudinova began the “Vandemierra” corresponding to his name the month of the harvest in the Jacobin calendar and reflected the rebellious revolutionary revolutionary, brought by Apolliner with yourself to Paris: save me, memory of future people! The century in which I lived was the end of the kings.

The poem “Zone”, epic and “prosaic”, is written as a lyrical dialogue between the author with yourself: you are finally tired of the old world. These poor people ... per. Kudinova in other verses of the collection, the poet speaks in the first person, and this unhurried speech goes into thought; Their almost biblical character and the depth give the philosophical poetry of Apolliner monumentality, without depriving modernity.

The life of the poor quarters, the life of a zone, which was not far from Montparnas, where in a cheap house nicknamed the “hive” found a nurseries of Shagal, Lege, many emigrants from Belarus and Russia, where Apollyner himself came in specific images, in the symbols of the age of advertising and technology. They are layered on the confession of the poet, his children's memories and Rhine impressions.

Everyone crouches that biblical image: every idol is Christ, only the faith of another and another guise ....