Biography of Rimsky Korsakov listen

Download: Yandex. He was educated in the St. Petersburg Marine Corps, after which Europe, North and South America, participated in the clip of Almaz. In took lessons from the pianist F. in a member of the musical and creative community "Mighty bunch." Under the leadership of M. Balakirev, who had a great creative influence on Rimsky-Korsakov, created the 1st symphony; 2nd edition in the x Meya, the final edition from the x.

The direction of the work of Rimsky-Korsakov of those years was largely determined by his deep connection with the progressive ideological and artistic movements of the XG. Hence the composer's lively interest in Russian folklore to its most ancient layers. Filippov "40 songs", ed. Passion for the beauty and poetry of folk rites was reflected in the May Night operas according to N.

Gogol, and especially in the “Snow Maiden” according to A. Ostrovsky, one of the most inspired and poetic works of Rimsky-Korsakov, as well as in the later opera “Mlada”, “Night before Christmas” according to Gogol, in E GG. In the 2nd half of the x After the Sadko’s opera, with its colorful contrast of the epic paintings of Novgorod’s life and fantastic “underwater” scenes, Roman-Korsakov focuses on the inner world of a person.

The desire for in-depth lyrical expressiveness is manifested in romances, opera Mozart and Salieri on the text of A. Pushkin,, “The Boyar Vera Sheloga” Prologue to the Pskovityanka’s opera, and is most fully revealed in the opera “Tsarist Bride” according to Meya,-a stress-expression drama on a historical basis. The opera “The Tale of King Saltan” according to Pushkin, with her emphasized conditional theatricality and elements of the stylization of the folk bast, is close to new trends in the art of the XX century.

The breath of time was peculiarly manifested in the magnificent, patriotic shutters “The Tale of the Invisible City of Kitezh and the Virgin of Fevronia”, raising high moral and philosophical problems. The work of Rimsky-Korsakov is deeply original and at the same time develops classical traditions. The harmony of worldview, subtle artistry, perfect skill and strong support on a folk basis.

The most characteristic features of the creative appearance of Rimsky-Korsakov are revealed in works related to the world of fairy tale, folk fiction, with the poetry of Russian nature, colorful paintings of folk life. It reveals his wonderful picturesque-ine gift, freshness and special purity of lyrics, sincere, warm and somewhat contemplative. The style of Rimsky-Korsakov is brightly national.

The composer uses genuine folk topics in his works and organically transmits song intonations in his own melodies. He brings a lot of new to harmony and instrumentation, significantly expanding and enriching their coloristic capabilities. His palm-harmonic and orchestral-cap palette is distinguished by a wealth of shades, colorfulness and brilliance. The main area of ​​the work of Rimsky-Korsakov is the opera.

The epic trend associated with the author’s appeal to the genres of folk art prevails. The epic, a fairy tale, the legend nourish the work of Rimsky-Korsakov not only by plots, but also by ideas, helping the composer to understand and convey the worldview and ideals of the people, his faith in the triumph of good and justice. The basis of the opera expressiveness of Rimsky-Korsakov considered singing.

Nevertheless, the orchestra in the operas is assigned a huge role: it acts as an important, and sometimes the main carrier of through musical and dramatic development. Often he is entrusted with independent symphonic paintings: for example, the entry of the Ocean-More Blue to the opera “Sadko”, the interpretation of “Three Miracles” and “Sich at Kerzheztsa” in the opera “Tale of King Saltan” and “The Legend of the Invisible City of Kitee”.

The symphonic work of Rimsky-Korsakov is represented by genre works that continue the traditions of Glinka and associated with the development of folk foundations of “Serbian fantasy”, “Spanish Kapricio” and others. Most symphonic works are based on the principle of contrasting comparison of internally completed images. Hence the predominance of such musical forms as overture and suite.

The work of Rimsky-Korsakov is the brightest page in the history of Russian culture. His impact on Russian and foreign music is not exhausted by the works created by the composer. The selfless editorial work of Rimsky-Korsakov played a huge role, thanks to which many masterpieces of Russian art “Stone Guest” of Dargomyzhsky, Prince Igor Borodin, “Boris Godunov” and “Khovanshchina” by Mussorgsky were performed; He also prepared for the publication together with M.

Balakirev and A. Lyadov, the opera scores of Glinka. He was of exceptional importance of Rimsky-Korsakov’s pedagogical activity, he was the head of a large school, brought up from above students, among whom-A. Glazunov, A. Lyadov, M. Ippolitov-Ivanov, A. Arensk, I. Myskovsky, N. Spendiars, M. Balanchidze, Y. Vitol, etc. Some of them then played an important role in the formation of professional music of the peoples of the USSR.The partial generalization of the pedagogical work of Rimsky-Korsakov was his textbooks of harmony and orchestration.

The autobiographical book “Chronicle of my musical life”, covering the most important period of the formation of Russian music, is a valuable historical document. Big Soviet Encyclopedia.