Zhamidin biography

Zhamidin belongs to those Dagestan writers, whose work was distinguished by high ideology, nationality, realism, artistic perfection. Along with his contemporaries - R. Gamzatov, Sh. Muradov, A. Abu Bakar, X. Avshalumov, B. Salimov, A. Adzhiev, M. Atabaev and others - he excellently owned the skill of image and psychology of people, social and moral phenomena of public life.

He was original in his own way, made his unique contribution to the development of his native, as well as Dagestan and Russian literature. The works of Zhamidin, no matter how diverse in ideological and artistic and genre relations, make up a single artistic world, marked by the seal of the poet’s bright creative personality. The originality of the jamidine artist is most clearly manifested primarily in such features of its satirical poetics as the art of applying humor, hyperbola, grotesque, allegory for realistic reproduction of reality and its assessment from progressive social positions.

Here are a few generalizing judgments about the role of these characteristic techniques of the creative manner of the satirist, about their functional connection, interaction and interpenetration. Laughter is the main weapon of satire.

Fonvizin, Krylov, Gogol, Shchedrin in Russian literature, E. Emin, G. Tsadas, S. Stalsky, N. Khanmurzaev, R. Gamzatov, X. Avsalumov, and others developed their traditions fought with these weapons. According to his own admission, humor has always constituted its main force. As you know, V. Belinsky also spoke of different manifestations of humor. So, characterizing Gogol’s humor as humor “calm, calm in his indignation, good -natured in his own crafty,” at the same time noted that there is another humor, “formidable and open”, “biliary, poisonous, merciless” 18, Humor Zhamidin sparing, “calm, in his work.

Just like Gogol, like G. Tsadas, like S. Stalsky, like X. Avshalumov, and Zhamidin saw a means of moral correction of people in a satirical laughter. At the same time, the satirical laugh, in the Zhamidinov concept, is called upon to be not only a healer, but also a burial to an obsolete social organism, is designed to apply a shameful stigma on those phenomena that have completed their development cycle and are recognized as insolvent in the court.

Zhamidin is one of the most emotional artists of the word: he possessed a sharp analytical mind and passionate indignant heart. The gaze of the satirist was constantly chained to the reality that contradicted his democratic ideals. Zhamidin poetic hyperbole, grotesque, allegory, generated by passionate sympathies and antipathies of the author, served as a powerful means of emotional influence on the reader, infected him with a sense of indignation or ridicule about the depicted phenomena of reality.

The satirist hyperbolizes what deserves denunciation, and hyperbolizes in such a way as to cause laughter. It is the combination of cognitive and comic functions that is characterized by the Zhamidinsky satirical hyperbole: through hyperbola, the poet made the image more embossed and more funny, sharply exposed the essence of the depicted negative phenomenon and executed it with a weapon of laughter.

As we tried to show, the distinctive qualities of Zhamidin's works are simple, unpretentious plots, nationality, originality, condescending, humorous attitude to their characters, sometimes turning into a sense of sadness, and sometimes indignation. However, this does not mean at all that the work of Zhamidin was characterized by liberalism in relation to the depicted vicious phenomena of reality: he tried to warn the reader through subtle humor, to replace the possible negative consequences of these phenomena - whether it be a bespectacled or hypocrisy, hypocrisy or blackmail, robbery or violence.

All the heroes of Zhamidin's works are taken from life. Here is a painful image of the warehouse, a seller, an official-bureaucrat, an unlucky bridegroom, a young man in love, etc. The reader can mentally complement the image, can even add new features somewhere. He is sure that we are talking about his neighbor, about his boss, about his acquaintances. This manifests the true talent of Zhamidin.

Satire Zhamidina is not exposing, not angry, she is soft, warning, warning. Humor is the attribute of the satire of Zhamidin. There is a deep satirical subtext behind Jamidin's humor, this is one of the keys of his satirical originality. Humor is used by Zhamidin as an artistic tool, its satire is diluted, inflated by humor. The works of Zhamidin People, they depict the life of the life of a Dagestan society as a whole and the highlanders in particular, and are written in the literary Lezgi language.

On the pages of his works we find customs, traditions, morals, character of the highlanders. Here we quote Yu. Barev: “National originality is one of the most important and necessary qualities of genuine art, its characteristic sign, its law.However, this originality does not arise at all due to the artificial isolation of the artistic work of the given people from the influence of the art of other peoples on it ”24, the national characteristics of Zhamidin’s work include its national character and symbolism, the Lezgi folk customs and traditions, the Lezginsky literary language, etc.

The remarkable poet Rasul Gamzatov spoke about the originality of the work of Zhamidin:“ I have never heard that he has never heard that he Some writer copies. He lives in a small house, which he built himself ”1. The originality of the work of Zhamidin stems from the individuality of the author, from his attitude to the surrounding reality, from his intellectual appearance. He was a friendly person, he was not a critic.

The poet loved his homeland, his hearth and he wanted to improve all this, to make people better. For this, the poet chooses humor, so as not to embitter a person, but to give him the opportunity to free himself from vices. His satire carries a bright, gentle beginning. The author strives for the semantic fullness of the verse, except when he is too fond of the repetitions of the same expressions and lines.

Miniature verses are compressed and aphoristic, read in one breath, like folk parables and proverbs. Many verses are built in a question-answer form, on a dialogue with the reader. Such a manner of writing is dictated by both the observance of the tradition of oriental poetry and the desire of the author to be understandable to the ordinary reader, to achieve his goal.

There are poems in which ridiculous is served under the guise of serious. Humor is created by the fact that the hero says absurdity seriously, and the author "retains seriousness, perfect non -involvement in what he is saying." A distinctive feature of his work is the laconicism of the presentation. Therefore, many works of the poet are miniatures: short poems are easily remembered by the reader, and many of them, being witty sketches on topical topics, are aptly beat on the target - they have a strong emotional impact on the reader.

List of literature of the dissertation research candidate of philological sciences Allahyarova, Esmilda Allahyarovna, year 1. Abakarova F. Essays on Dargin Soviet literature. Abdulatipov A. History of Kumyk literature. Abramovich G. Introduction to literary criticism. Education, Abukov K. by the fire, lit by M. Makhachkala, multilingual unity: acquisitions and losses.

Aitmatov Ch. In collaboration with land and water: essays, articles, conversations, interviews. Frunze, Akava Z. Dialogue of the times. Akbiev S. Fidelity of friendship: interethnic ties of Dagestan literature. Akimov K. Lezgi national prose: the history of the development of the genre system. Xakimov K. Satira and Humor Zhamidin: a creative portrait.

Analysis of the literary work: Sat. Antokolsky L. at the focus of poetry: Essay on the work of Rasul Gamzatov. Writer, about the art of poetry. Arnautov M. Psychology of literary creativity.