Vladimir Stupin Biography

And in Russia they know him much better than in his homeland. However, the artist seriously set about attracting the attention of compatriots. How do you fit into this current? He took the flag and flew away, no one even knew that I was participating in international festivals. At the end of X, no one needed it. So he traveled, earned his authority. Then he went into creativity, studied.

And as for the stage - I have never had a young public, I do not strive for her. This niche is busy, there is someone to work there. My timbre does not fit into modern rhythm. I did what I like, and did not climb into the first rows of show business. Moreover, we, in Kazakhstan, have very few official concerts. But the audience must be taught to gather in the halls.

And in order to rebuild show business, huge investments are required. No matter how talented you are, large funds and teams of professionals should be involved. And still, we will meet with the same people every day, we have all Kazakhstan per artist, we have only 17 million of us. Therefore, we must constantly exchange the public, and we separated, and each piece eats each of our pieces.

There, the Americans planted the whole world on their performers and have money from this! We were friends with families with Viktor Saltykov, recorded in one studio, drove around Russia, in Kazakhstan. In the year, they celebrated 75 years composer Alexander Zatsepin. For two days there were huge concerts in Moscow. I was set to speak before Pugacheva, he did not like it, we quarreled.

Then he took root, began to cooperate with the musicians Viktor Saltykov and Teimuraz Bodzhgua. I made advertisements for them, they supported me. Due to their help and lived for the first years. Moscow is such a complex city, nobody needs you there, all niches are busy. Years go to understand all underwater trends, to realize which way to move. Everything turned out for me, fortunately.

There is a studio of Vladimir Osinsky, a steep musician - by the way, he has long moved to Petropavlovsky - all the stars were recorded: Polina Gagarina, Grigory Leps, Stas Mikhailov and others. And I collaborated with him. And there is hard. I remember there was a Solyanka performance, and the guitarist Viktor Zinchuk and I stood behind the scenes. I am a word to him, he answered me in response.

I am from Shymkent, I do not bend before anyone. And now? In general, Islam has very serious creativity, but no one wants this seriousness in Kazakhstan now. Therefore, he works in Ukraine and Russia, now Vladimir Presnyakov wrote a composition. I was nicknamed Karatorgha. There was Akyn and composer Akan Sery, he had a golden eagle, and this song was about him.

Berrokuts, as you know, live for a certain time, and when the moment comes to die, they take off and break ... how many years it sangs it, it remains close to me, now we decided to remove the clip on it. And new tracks are difficult to promote. For example, it costs nothing to spoil Leps or Meladze. But you need to have your own face. I am close to pop chanson, where there is truth in texts and in music.

This is not a blasphemy, but beautiful pop songs. We are used to it, if they sing with hoarse - it means a chanson. Many now a note or two learned to extract and think that they have already become singers. In fact, this must be studied. By the way, music in Kazakh like Kairat Nurtas is also a pop chanson. He only transferred it to more modern rhythms. I released the first disk 10 years ago when I worked with Zatsepin Sr.

The plans are also in the plans in the Kazakh language.