Dora Maar biography

Although she was a talented artist and photographer, her name is most often associated with Pablo Picasso because of their love relationship. He was a famous and revered artist, but even before they met Maar, Maar was already known in France thanks to his photographs. Under the masterpiece of Picasso, it was possible to find another picture of Maar, nee Henrietta Theodore Markovich, worked as a photographer at the Billancourt Studios film studio in the suburbs of Paris.

She was presented by Picasso, who was already a world -famous artist, 26 years older than her. Maar became his mistress and, according to some, the most influential muse of the artist. The next eight years of their life, they were closely intertwined, even though Picasso did not stop his relationship with Maria Teresa Walter. As a rule, it is these mean facts that are most often limited to knowledge of Maar among lovers of art.

There were many women in the life of Picasso, and Maar was undoubtedly one of the most significant for him. The exhibition dedicated to her from the Tate Gallery in London has already visited the Pompidu center in Paris, and in the year the exposition will go to Los Angeles. But does her career deserve a photographer and artist exit the shadow of Picasso?

Or her achievements are now exaggerated, because they ignored for decades? Cos in his book calls Maar an amazing talent. Compliance with the proportions in her photographs can be called curious, but her creations always bear some meaning and leave a strong impression. "However, the fashion photography was only a small part of the creative life of Dora Maar. She went to Barcelona and photographed the starving people who were in very difficult conditions.

A significant part of her work was not in demand, because she was perceived in the context with the context of Picasso ". Emma Lewis is the curator of the exhibition in the modern Tate Gallery, which shows more photographs shot by Maar.

According to her, she began to appreciate the “dark glamor” of Maar's works, but also noted that they have a playful element - a real rebellious wit. The exhibition presents vivid examples of all these elements related to the beginning of its career. According to Lewis, weekly and monthly magazines were very popular in the X. She was interested in surrealism, but, it seems to me, it was very difficult for a woman to enter the circle of artists who worked in that direction.

"They were also published in various magazines about art and erotic reviews." She adhered to her left views, and during the Great Depression, her documentary work dedicated to the suffering of poor people acquired special importance for her. She was even associated with the radical association of revolutionary writers and artists. "The exhibition could not bypass Maar’s connection with Picasso, but this connection is shown in the context of that time.

Being a photographer, she captured him in work on, perhaps the most famous work -" Germniki's bombardment "year. Gallery visitors can see the work of Picasso, which Maar influenced, including affected the Maar. “The crying woman, however, confirmed that the artist used some features of her face for the picture that Maar was the most intelligent of all Picasso's muses.

Their passionate relations began to weaken from about a year. Maar moved to Menerb in Provence. Did she come to terms with the fact that no woman would be the only one for Picasso? When their relationship ended, she was furious. But, having moved to the south, she began to develop painting skills. The people who wrote about her, this aspect of her life, as a rule, was ignored. But her paintings are impressive, and her best photos produce a real splash, ”says the writer.